Other specs are shared with the externally-identical X-H2S: magnesium alloy body, weather sealing, top-panel OLED display, 5.76M-dot EVF with 0.8x magnification (running at up to 120Hz), fully-articulating 1.62M-dot LCD, USB 3.2 Gen 2 (10Gbps) port, and dual card slots (CFexpress Type B and one UHS-II SD).Īvailable in late September, the Fujifilm X-H2 will have an MSRP of $2,000 for body-only and $2,500 as a kit with the XF16–80mm f/4 R OIS WR lens. (By comparison, the X-H2S shoots 4K/60p with oversampling, and there’s also a 4K/120p option, but that involves a hefty 1.29x sensor crop.) Note that in 4K, you can shoot up to 4K/30p with oversampling from 8K, or up to 4K/60p with sub-sampling. According to Fujifilm, using the F-Log2 flat picture profile, the X-H2 can record up to 13+ stops of dynamic range. Fujifilm’s latest announcement is the X-H2, but it could easily have been called X-H2R for “resolution”: As well as packing a new 40.2MP X-Trans CMOS 5 HR sensor-the company’s highest-resolution X-Trans sensor to date-it also boasts the ability to capture 8K/30p 10-bit 4:2:2 video in Apple ProRes-the first APS-C camera to do so.Īs well as being able to record 8K/30p 10-bit 4:2:2 from the full width of the sensor, if you hook up an Atomos Ninja V+ or Blackmagic Video Assist external monitor/recorder over HDMI, the X-H2 can capture 12-bit 8K/30p RAW video in Apple ProRes RAW or Blackmagic RAW, respectively. Unveiled in June, Fujifilm’s successor to the X-H1 was named X-H2S, with the “S” apparently referring to the camera’s speed: It is capable of shooting continuously up to an impressive 40fps with AF tracking via the electronic shutter and up to 15fps burst shooting with AF tracking via the mechanical shutter.
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